Sitate-nagoya-obi (Tempyo Kamhata-mon Nishiki)
Sitate-nagoya-obi (Tempyo Kamhata-mon Nishiki)
Sitate-nagoya-obi (Tempyo Kamhata-mon Nishiki)
Sitate-nagoya-obi (Tempyo Kamhata-mon Nishiki)
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Sitate-nagoya-obi (Tempyo Kamhata-mon Nishiki)

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¥132,000 (Tax included.)
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¥132,000 (Tax included.)
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The obi that Tatsumura Bijutsu Orimono has been producing since its establishment is the starting point of our manufacturing, which is expressed by the keyword "restoration, originality, and a unique aesthetic sense. From the design to the weaving technique, "Tatsumura's character" is scattered in every part of our products, and they have been appreciated by many people both now and in the past.

Size (cm) : Obi width 8" (approx. 30.0cm), length 9" 5" (approx. 3.6m)

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Detail

Product : Sitate-nagoya-obi (Tempyo Kamhata-mon Nishiki)
Type :
Size (cm) : Obi width 8" (approx. 30.0cm), length 9" 5" (approx. 3.6m)
Tags : Tailored Nagoya ObiDesign_Tempyo Kirei pattern brocadeShosoin cleft
Other : Product photos may appear slightly different in color from the actual item due to lighting conditions and your device's display settings.

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Description

A silk obi with popular design.

Patterns

Tempyo Kamhata-mon Nishiki(Warp-patterned Brocade with Lozenges and Flowers Design)

Shosoin-sAKI is an enormous collection of textile dyeing and weaving techniques of the 7th and 8th centuries not only in Japan but also in East Asia, and is known as an extremely valuable source of information on all kinds of dyeing and weaving techniques of this period. This poem is one of them. Although small in size, it is a gorgeous tsuzunishiki brocade with iriko water chestnuts and floral motifs in a dizukin tone color scheme. The ancient Japanese word "Ki" refers to the traditional spelling weaving machine, and in China, this spelling weaving was used as a strong belt, hence the name "Kanhata," which refers to the narrow Sanada-himo style weaving. This piece is woven using the sutra brocade weaving method with a graceful and elegant floral and geometric design on a dizukin ground so as not to detract from the Ki style, and is a reminder of the beauty of the Tenpyo period.