Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

*The pattern may be different from the image shown due to the cutting process

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  • Load image into Gallery viewer, Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)
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  • Load image into Gallery viewer, Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)
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  • Load image into Gallery viewer, Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)

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<p>We are pleased to present a collaborative work by <strong>Heizo Tatsumura V</strong> and glass artist <strong>Yukito Nishinaka</strong>.<br> This unique creation brings together the philosophy of Heizo Tatsumura V—<em>"The Dynamic Spirit and Liberation of Japanese Aesthetics"</em>—and Yukito Nishinaka's artistic vision of <em>"Destruction and Rebirth."</em> Named <strong>"Grape Arabesque"</strong>, this one-of-a-kind piece takes the form of a traditional <em>katatsuki</em> tea caddy. The Grape Arabesque motif, one of the most iconic designs preserved in the Shosoin Treasury, features an elegant composition centered on a four-petaled floral medallion surrounded by gracefully intertwining vines arranged in an eight-petal pattern. Long regarded as an auspicious motif symbolizing prosperity and good fortune, it is beautifully expressed through Nishinaka's signature <em>Glass Yobitsugi</em> technique, making this a truly one-of-a-kind work of art.</p> <p><em>Glass Yobitsugi</em> is a unique technique in which the artist intentionally breaks a hand-crafted glass vessel and reconnects the fragments using molten glass. The concept is inspired by traditional Japanese restoration techniques such as <em>Kintsugi</em>, in which broken ceramics are repaired with lacquer, and <em>Yobitsugi</em>, where fragments from different ceramic pieces are joined together with lacquer to create an entirely new work. Reinterpreted in glass, this process transforms destruction into renewal, giving each piece an unrepeatable character.</p> <p>The accompanying <em>Shifuku</em> (protective silk pouch) is crafted from the same <strong>Grape Arabesque Brocade</strong>. Woven in richly colored warp brocade using multiple silk threads, it was custom tailored by renowned <em>Shifuku</em> artisan <strong>Keiko Tada</strong>.<br> The lid is handcrafted by Kyoto lacquerware artisan <strong>Hyoetsu Miki</strong>, completing this carefully curated work of exceptional craftsmanship.</p> <p><strong>■ Glass Artist – Yukito Nishinaka</strong><br> Working under the theme of <em>"The Brilliance of Life, Rebirth, and the Eternal Cycle,"</em> Yukito Nishinaka creates glass artworks inspired by the timeless aesthetics of Japan. His signature series include <em>Glass Yobitsugi</em>, in which shattered glass is reconstructed into new forms, and <em>Glass Karesansui</em>, expressing the eternal cycle of the universe and life through glass. Using recycled glass as his primary medium, Nishinaka explores the transformative nature of glass—breaking, melting, and reconnecting—to express a world of renewal, continuity, and perpetual circulation.</p>

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Detail

Product : Glass ”YOBITUGI”Tea Container[Inscription: Budo Karakusa-mon Nishiki] (5th-Generation Tatumura Heizō × Nishinaka yukito)
Type : Glass
Tags : GlassGlass JoiningLimited quantity itemBudo Karakusa-mon Nishiki(Brocade with Grapevine Arabesques)Tea JarTea utensilsChihito Nishinaka
Other : Please note that due to cutting, the pattern placement may differ from the displayed image.
Product photos may appear slightly different in color from the actual item due to lighting conditions and your device's display settings.

Reviews

Description

[Details]
・Yobitsugi Tea Container / Diameter 40mm × Width 55mm × Height 90mm
*This is not heat-resistant glass. To prevent breakage, please do not use hot water when cleaning.
 *Glass breaks due to “temperature differences,” not just temperature. For example, if the glass is already warmed to about 50 degrees, it is unlikely to break even if you pour 100-degree hot water into it. Conversely, however, cold glass is at risk of breaking even with water around 40 degrees.
・Cover: (Weft Brocade: Saiki-mon) 100% silk / Width 55mm× Height110mm *Crafted by Keiko
Tada(Cover Artist)
・Lid: Hyoetsu Miki (Kyoto Lacquer Artist) Included

You are welcome to pick up the items and examine them in person. *Please note
that items may be out of stock, so please contact us in advance before visiting.
[Inquiries]

. The Kanto Store does not have a showroom, but you can view products there if you make a reservation in advance.
■Click here for directions to the Kanto Store [MAP]
6th Floor, Kobo Building
, 1-5-11 Irifune
, Chuo-ku, Tokyo 104-0042
03-3551-5756・Business Hours: 9:00 AM–5:55
PM・Closed: Saturdays, Sundays, and national holidays

About Tatsumura Art Textiles


■Our
Commitment: “Originality,” “Restoration,” and “Aesthetic Sensibility”—these three elements form the core spirit of our company, passed down continuously since the founding by Heizo Tatsumura. We would like to introduce the dedication that has enabled us to establish the new field of “art textiles” within the world of textiles.
History: Heizo Tatsumura, the company’s founder, established the new field of “art textiles” based on his research and restoration of ancient textiles. We present the journey of our company, which has consistently shared the splendor of art textiles with the world to this day.
About
Heizo Tatsumura: The first-generation Heizo Tatsumura brought “innovation” to the world of textiles. He devoted himself to researching traditional textiles, such as the ancient fabrics preserved at Horyuji Temple and the Shosoin Repository, and as a leading authority on restoration, he elevated the status of textiles to the “realm of art.” Here, we highlight some of his achievements.

Patterns

Budo Karakusa-mon Nishiki(Brocade with Grapevine Arabesques)

The original of this reproduction is a weft-patterned brocade in twill weave, with a design in yellow on a purple ground. The pattern consists of a flower with four double-petals and points in the center as a main motif, surrounded in an octagonal form with vine arabesques with leaves, grapes and scrolls in a symmetrical arrangement. The curve of the arabesques is exquisite and the composition is well-balanced, though somewhat complicated, showing the high level of the graphical presentation of the time. Undoubtedly, it is the most graceful masterpiece among the large number of fabrics of the similar design preserved in the Shōsōin - the wooden storehouse at Tōdaiji temple, Nara, housing several thousand precious ornamental and fine art objects from the 8th century, many of which were donated by Empress Kōmyō, consert of Emperor Shōmu (701-756).

Shosoin Pattern Collection

Since its establishment in 1894, Tatsumura Bijutsu Orimono has been engaged in textile production based on "restoration and creation. Among these, research and restoration of Shosoin treasures is one of the cornerstones of the company's activities. Since Heizo Tatsumura, the founder of Tatsumura Bijutsu Orimono, conducted research on ancient textile fragments at Shosoin and restored them, his knowledge, techniques, and spirit have been passed down through the generations to today's Tatsumura Bijutsu Orimono.
In this feature, we have selected notable patterns from among the many Shosoin-derived patterns that we have restored. We hope you will see, touch, and feel the delicacy and beauty hidden in Shosoin treasures. Please enjoy them to your heart's content.