＊The pattern may be different from the image shown due to the cutting process
Detail
| Product : | Dashi-fukusa Cloth(Tea Ceremony Cloth) (TEPE-NO HITSUJI) |
|---|---|
| Type : | Removing the Furoshiki |
| Size (cm) : | W16.0 x H15.0 |
| Tags : | eighth sign of Chinese zodiac (The Ram, 1pm-3pm, south-southwest, June)、 stoat、 Wrapping available、 Oriental Zodiac、 Pattern_TEPE-NO HITSUJI、 Year of the Sheep、 sheep、 Tea utensils、 fukusa、 |
| Other : |
Please note that due to cutting, the pattern placement may differ from the displayed image. Product photos may appear slightly different in color from the actual item due to lighting conditions and your device's display settings. |
| Other : | Gift wrapping service available |
Reviews
Description
This is a Dashibukusa used in the Omotesenke school of tea ceremony and other tea ceremony schools.
A Dashibukusa made with Tatsumura textiles, showcasing the beauty of its intricate weaving techniques and elegant patterns. For important tea gatherings, selecting a Dashibukusa that complements the occasion adds a refined touch. Whether chosen to reflect the season or to match the atmosphere of the tea gathering, a single piece reveals the owner’s sense of style and sophistication.
You can also enjoy a coordinated look by pairing it with a Sukiya-bukuro or Kaishi-ire featuring the same pattern. It is highly appreciated as a companion for tea ceremonies as well as a thoughtful gift.
For those practicing tea ceremony, having multiple Dashibukusa pieces is always useful, allowing them to be selected according to attire, occasion, or personal preference. A Dashibukusa also makes a wonderful gift for someone who appreciates the art of tea.
In addition to tea ceremonies, it can be used as an elegant accent in interior décor, such as a mat for an incense burner.
Patterns
TEPE-NO HITSUJI(SHEEP DESIGN OF TEPE)
In Iran, the world's oldest pictured potteries have been found in TEPE (historical hill in Persian) created by the local people with their own designs. The motifs were animals and the geometric patterns drawn rhythmically and on the rich individuality.
Here, we have focused on the designs of the sheep that have lived with human beings since the ancient days and the geometric patterns drawn on the surface of the potteries excavated in Iranian Highland, both of the motifs are enclosed in the separate stripes, and yet composing one big stripe pattern.
We have woven the historical patterns, yet looking elegant in the modern society, into the warp-patterned brocade in our own color-way and exquisite weaving technique.
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