*The pattern may be different from the image shown due to the cutting process
Detail
| Product : | Picture Postcards, Set A (10 cards) |
|---|---|
| Type : | Stationery |
| Size (cm) : | W10.5×H14.8 |
| Tags : | postcard、 Small Set、 Picture Postcards、 |
| Other : |
Please note that due to cutting, the pattern placement may differ from the displayed image. Product photos may appear slightly different in color from the actual item due to lighting conditions and your device's display settings. |
Reviews
Description
We’ve turned the designs of the obi and wall hangings by the first-generation Heizo Tatsumura into picture postcards.
*This item cannot be shipped in a box.
Patterns
2 Painted mochi brocade: One of the masterpieces of Heizo I. One of the masterpieces of the first Peijang, it depicts a scene of Emperor Xuanzong of the Tang Dynasty of China's pleasure boat, beautifully decorated with paintings and colors, sailing through the flowers of the four seasons.
3Koetsu Yume Butterflies Nishiki: A butterfly pattern found on mica prints by Hon'ami Koetsu.
4Roku-ka-sen brocade: A collaboration between Kitano Tsunetomi, a famous painter in Osaka, and Heizo I. The poets of the Six Immortal Poets are represented in the Korin style.
5Boketsu-ori butterfly brocade: The taste of gold-tone leather is expressed in the fabric. It is woven with the batik weaving technique invented by Heizo I.
6Ningyo Teitoiri Nishiki: A gorilla in a basket, a gorilla holding a plum branch, astride a large sheep. Inspired by the pattern of the famous Ningyo Te Kinran.
7Ikaruga Nishiki: From the dyeing and weaving tradition of Horyuji Temple. The floral patterns and arabesques in the lattice show the generous spirit of the Nara period.
8:Chiyo no Kane Nishiki: The crown of the crane in the classic Noh play and its pearl beauty are woven as a celebration.
9:Tenpyo Sai Kan Nishiki: A pattern of shakuhachi carved on bamboo during the Tenpyo period. Women, flowers, and butterflies are depicted on the brocade.
10Senkai fisherman: A poem written by the Chinese poet Yanagi Zong Yuan and a scene of a fisherman rowing a boat depicted on the ground paper of the 36th poetry anthology are superimposed on the scenery of the poem.






