Tie (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Tie (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Tie (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Tie (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Tie (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Tie (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Tie (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

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Tie (Tempyo Mokuga Sou-ka-kin)

Regular price
¥16,500 (Tax included.)
Sale price
¥16,500 (Tax included.)
Regular price
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Tatsumura Bijutsu Orimono offers a wide range of traditional colors and patterns. We recommend them with confidence for business scenes and special occasions, and for a higher grade of coordination. Please wear our textiles to enhance your mood and atmosphere.


Wrapping : Gift wrapping service available

Size (cm) : Overall length 145.5 Maximum width 8.5 Minimum width 3.0

Detail

Product : Tie (Tempyo Mokuga Sou-ka-kin)
Type : ネクタイ
Size (cm) : Overall length 145.5 Maximum width 8.5 Minimum width 3.0
Tags : Wrapping availableDesign: Tenpyo Mokuga Kanohana NishikiShosoin cleftFor Gentlemen
Other : The pattern may be different from the image shown due to the cutting process. Please understand this in advance.
Other : Gift wrapping service available

Reviews

Description

A tie with dignity and character with ancient design.

Patterns

Tempyō Mokuga Sō-ka-kin(Brocade with Floral Design of Tempyō Art in Inlaid Style)

Among the Shōsō-in Treasures, there remain fine arts not only brought from the continent but also made by domestic artisans in the Nara period(710-784 A.D.) who had presumably been affected by the culture of the Tang Dynasty China (618-907 A.D.) and further the West. This design is modeled after a pattern inlaid in the biwa lute made of red sandalwood, having been kept in the Shōsō-in Repository, composed of four-petalled flowers, six-petalled flowers, and small six-petalled flowers placed one after the other. The warp-patterned brocade is woven in our technique leaving the sentiments of the inlaid work recalling the ethos of the Tempyō art in the Nara period.