Cosmetics Container (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Cosmetics Container (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Cosmetics Container (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Cosmetics Container (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Cosmetics Container (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

Cosmetics Container (Tempyo Mokuga Sou-ka-kin)

*The pattern may be different from the image shown due to the cutting process

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Cosmetics Container (Tempyo Mokuga Sou-ka-kin)

Regular price
¥8,800 (Tax included.)
Sale price
¥8,800 (Tax included.)
Regular price
Sold out
Unit price
per 

Women tend to have a lot of things in their bags. It is always nice to have a pouch with enough storage capacity to keep the inside of the bag neat and tidy. Please try Tatsumura Bijutsu Orimono's pouches that are both light and well designed.


Wrapping : Gift wrapping service available

Size (cm) : W12.5×H8.5×D8.5

Detail

Product : Cosmetics Container (Tempyo Mokuga Sou-ka-kin)
Type : ポーチ
Size (cm) : W12.5×H8.5×D8.5
Tags : 130th anniversary object-2Cosmetic PouchWrapping availableJapanese AccessoriesRespect for the agedDesign: Tenpyo Mokuga SoukakinShosoin cleft
Other : The pattern may be different from the image shown due to the cutting process. Please understand this in advance.
Other : Gift wrapping service available

Reviews

Description

Easy to put in-and-out by a wide-open mouthpiece. Containable enough volume.

Patterns

Tempyō Mokuga Sō-ka-kin(Brocade with Floral Design of Tempyō Art in Inlaid Style)

Among the Shōsō-in Treasures, there remain fine arts not only brought from the continent but also made by domestic artisans in the Nara period(710-784 A.D.) who had presumably been affected by the culture of the Tang Dynasty China (618-907 A.D.) and further the West. This design is modeled after a pattern inlaid in the biwa lute made of red sandalwood, having been kept in the Shōsō-in Repository, composed of four-petalled flowers, six-petalled flowers, and small six-petalled flowers placed one after the other. The warp-patterned brocade is woven in our technique leaving the sentiments of the inlaid work recalling the ethos of the Tempyō art in the Nara period.