*The pattern may be different from the image shown due to the cutting process
Detail
| Product : | ART FABRIC OBJET anima horse "NIGHT" by Tatsumura Art Textile x Koikko |
|---|---|
| Type : | アート作品 |
| Size (cm) : | W115×H260×D195mm |
| Tags : | anima、 seventh sign of Chinese zodiac (The Horse, 11am-1pm, south, May)、 Art Objects、 アート作品、 Interior design、 Noon、 Oriental Zodiac、 Kouichikou、 Pattern_Serujūku-no-Uma、 Pattern_Pazyryk no.、 Pattern_Tō-sai Yūba-mon、 Kimekomi Dolls、 horse、 |
| Other : | The pattern may be different from the image shown due to the cutting process. Please understand this in advance. |
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Description
Kimekomi (dolls), an art object manufacturing technique, involves carving grooves into a body made of hardened paulownia wood (toso: kneaded paulownia wood powder with glue, etc.), and then inserting fabric into the grooves (kimekomi) to dress the doll.
This work is made using traditional techniques that have been passed down through the generations.
Patterns
Pazyryk-no Uma(A Horse of Pazyryk)
Serujūku-no-Uma(Seijuk Horse)
Turkey, the crossroads of East-West civilization, has spun a lot of histories and cultures from thr ancient Greece to the Ottoman Empire, so that foreigners have friendly feeling and subtle charm to her.
The design of this brocade is modeled after the pictures drawn on the tiles excavated in Turkey, used to decorate the majestic palace of the Seljuk Empire. The tiles, star-shaped and cross-shaped, were drawn, spontaneously and humorously, by the horses, the peacooks, the dogs, together with the vines. We have laid them here in a continuance pattern.
We wove, into a warp-patterned brocade, hte small world of the animals spread endlessly in the stars of the tiles, trying best use of the original colors of the Seljuk tiles such as sacred blue, charming white, and black.
Tō-sai Yūba-mon(Galloping Horse Design on the White Porcelain)
"AKAE" is a type of Chinese pottery product of which preliminary designs are drawn by red, green, blue, and black glaze on the white porcelain. It influenced far to the European ceramic arts in the Ming Dynasty, China days (14C~17C, AD).
We have modeled one of the "AKAE" designs depicting galloping horses and added the collection of luck-bringing items, like seven treasures, clove, and peony arabesque as symbol of riches and honors.
We have woven into warp-patterned brocade with our exquisite weaving tschnique, the brushwork of the galloping horses and the charm of the "AKAE" of the Ming Dynasty.










